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	<title>Barbara Kilpatrick</title>
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	<link>http://barbarakilpatrick.com</link>
	<description>Featuring the Work of Barbara Kilpatrick</description>
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		<title>Not Entirely Herself</title>
		<link>http://barbarakilpatrick.com/work/not-entirely-herself/</link>
		<comments>http://barbarakilpatrick.com/work/not-entirely-herself/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 16:01:13 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://barbarakilpatrick.com/?p=548</guid>
		<description><![CDATA[Not Entirely Herself is a collaboration between Vicky Shick (choreography) and myself (set and costume.)  The work was presented at The Kitchen, New York City in 2011, where it was performed by Marilyn Maywald, Jimena Paz and Maggie Thom, with a coda by Neil Greenberg and Vicky Shick.  The sound design is by Elise Kermani, [...]]]></description>
			<content:encoded><![CDATA[<em>Not Entirely Herself</em> is a collaboration between Vicky Shick (choreography) and myself (set and costume.)  The work was presented at The Kitchen, New York City in 2011, where it was performed by Marilyn Maywald, Jimena Paz and Maggie Thom, with a<em> </em>coda by Neil Greenberg and Vicky Shick.  The sound design is by Elise Kermani, and the lighting is by Chloë Z. Brown.

Photos: © Paula Court]]></content:encoded>
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		<item>
		<title>Repair</title>
		<link>http://barbarakilpatrick.com/featured-work/repair/</link>
		<comments>http://barbarakilpatrick.com/featured-work/repair/#comments</comments>
		<pubDate>Sat, 12 Mar 2011 07:05:12 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Featured Work]]></category>
		<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=256</guid>
		<description><![CDATA[Repair is a multi-media collaboration with dancer/choreographer Vicky Shick, sound designer/composer Elise Kermani, and myself. The piece, performed by Jodi Melnick and Vicky Shick, premiered at Danspace Project at St Mark’s Church, New York City, March 2006, Dance Theater Workshop, New York City 2007; Trafo Theatre, Budapest 2009 and the Dublin Dance Festival in 2010. [...]]]></description>
			<content:encoded><![CDATA[Repair is a multi-media collaboration with dancer/choreographer Vicky Shick, sound designer/composer Elise Kermani, and myself.  The piece, performed by Jodi Melnick and Vicky Shick, premiered at Danspace Project at St Mark’s Church, New York City, March 2006, Dance Theater Workshop, New York City 2007; Trafo Theatre, Budapest 2009 and the Dublin Dance Festival in 2010. Repair, the installation, was seen as part of the exhibit &#8220;Motion/Fixity&#8221; at the Pierro Gallery in South Orange, New Jersey, 2009. Lighting was designed by Carol Mullins at Danspace Project and by Chloe Z. Brown at Dance Theater Workshop.

Photo credits: Peter S. Jacobs: No. 1; Emilie Baltz:  Nos. 4, 5; Barbara Kilpatrick:  Nos. 2, 3; Julieta Cervantes:  No. 6]]></content:encoded>
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		<item>
		<title>Camera/Room</title>
		<link>http://barbarakilpatrick.com/featured-work/cameraroom/</link>
		<comments>http://barbarakilpatrick.com/featured-work/cameraroom/#comments</comments>
		<pubDate>Fri, 11 Mar 2011 06:30:49 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Featured Work]]></category>
		<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=224</guid>
		<description><![CDATA[The genesis for Camera / Room was a desire to photograph my sculpture in natural light. What emerged was a body of work that integrates photography, sculpture, and performance. An open-ceilinged wooden cube, eight feet to a side with apertures facing east and west, was built in a meadow in upstate New York. The structure [...]]]></description>
			<content:encoded><![CDATA[The genesis for Camera / Room was a desire to photograph my sculpture in natural light. What emerged was a body of work that integrates photography, sculpture, and performance. An open-ceilinged wooden cube, eight feet to a side with apertures facing east and west, was built in a meadow in upstate New York. The structure became a studio, a theater, and an analytic “camera” or room. The chair, not always shown but ever-present, stands in for the artist, the audience, and the analyst.

The room is a personal, inward-looking space that provides the foundation for more outward-looking, public work.

<a title="Camera Room" href="http://player.vimeo.com/video/30680684?title=0&amp;amp;byline=0&amp;amp;portrait=0" rel="shadowbox;height=480;width=640" target="_blank">View the video for Camera/Room</a>]]></content:encoded>
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		<title>Phrase Book</title>
		<link>http://barbarakilpatrick.com/featured-work/phrase-book/</link>
		<comments>http://barbarakilpatrick.com/featured-work/phrase-book/#comments</comments>
		<pubDate>Mon, 07 Mar 2011 07:14:50 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Featured Work]]></category>
		<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=247</guid>
		<description><![CDATA[Stimulated by my collaborations in choreography, I created these drawings using a custom-made rubber stamp of my own body as a place-keeper for the dancers. This allows me to choreograph movement on the page as a personal dance notation. The twisting lines that encircle, connect and umbilicate the figures recall the cables and cords that [...]]]></description>
			<content:encoded><![CDATA[Stimulated by my collaborations in choreography, I created these drawings using a custom-made rubber stamp of my own body as a place-keeper for the dancers. This allows me to choreograph movement on the page as a personal dance notation.

The twisting lines that encircle, connect and umbilicate the figures recall the cables and cords that litter a stage, as well as the electrical wires that both energize and clutter contemporary life.

Some of the drawings form sequences, as in pre-cinematic still photography, while others remember live performances. Movement is interrupted and contained, as in a camera’s lens. Scanning and inverting the images recreates the context in which the work is often seen—at night, in performance venues, and under theatrical light.]]></content:encoded>
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		<item>
		<title>Glimpse</title>
		<link>http://barbarakilpatrick.com/work/glimpse/</link>
		<comments>http://barbarakilpatrick.com/work/glimpse/#comments</comments>
		<pubDate>Sun, 06 Mar 2011 07:12:42 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=75</guid>
		<description><![CDATA[Glimpse is a collaboration with dancer / choreographer Vicky Shick, based in New York City, and dancers Hedvig Fekete and Tamás Bako, based in Budapest.  Set and costume by Barbara Kilpatrick, sound design by Elise Kermani.  Glimpse premiered at the Trafo Theatre in Budapest in January 2009 and was presented at Danspace Project at St [...]]]></description>
			<content:encoded><![CDATA[<em>Glimpse</em> is a collaboration with dancer / choreographer Vicky Shick, based in New York City, and dancers Hedvig Fekete and Tamás Bako, based in Budapest.  Set and costume by Barbara Kilpatrick, sound design by Elise Kermani.  <em>Glimpse</em> premiered at the Trafo Theatre in Budapest in January 2009 and was presented at Danspace Project at St Mark’s Church in New York in April 2009, performed by Tamás Bako, Christine Elmo, Hedvig Fekete, Eva Karczag, Dianne Madden, and Vicky Shick.  Lighting by Gerzson Peter Kovács (Budapest) and Carol Mullins (New York.)

Photo credits: Naske Sándor, Nos. 1, 2, 3, 7; Ryutaro Mishima,  Nos. 4, 5]]></content:encoded>
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		</item>
		<item>
		<title>Keep Sake</title>
		<link>http://barbarakilpatrick.com/work/keep-sake/</link>
		<comments>http://barbarakilpatrick.com/work/keep-sake/#comments</comments>
		<pubDate>Sat, 05 Mar 2011 07:13:00 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=105</guid>
		<description><![CDATA[Keep Sake is a set and sound installation created at and for the Ancram Opera House in upstate New York.  During a residency at the Opera House, I worked with Elise Kermani, the sound and multimedia artist, to create and document a performance using sculpture in the place of dancers, combining still photography, video, and [...]]]></description>
			<content:encoded><![CDATA[<em>Keep Sake</em> is a set and sound installation created at and for the Ancram Opera House in upstate New York.  During a residency at the Opera House, I worked with Elise Kermani, the sound and multimedia artist, to create and document a performance using sculpture in the place of dancers, combining still photography, video, and sound.

<a title="Keep Sake" href="http://player.vimeo.com/video/30527801?title=0&amp;amp;byline=0&amp;amp;portrait=0" rel="shadowbox;height=480;width=640" target="_blank">View the video for the installation</a>]]></content:encoded>
			<wfw:commentRss>http://barbarakilpatrick.com/work/keep-sake/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Plum House (A Cartoon)</title>
		<link>http://barbarakilpatrick.com/work/plum-house-a-cartoon/</link>
		<comments>http://barbarakilpatrick.com/work/plum-house-a-cartoon/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 07:11:12 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=328</guid>
		<description><![CDATA[Plum House (A Cartoon) is a collaboration with dancer/choreographer Vicky Shick, sound designer/composer Elise Kermani, and myself.  The work premiered at Dance Theater Workshop, New York City, 2007, where it was performed by Laurel Dugan, Diane Madden, Juliette Mapp, Perrine Ploneis and Derry Swan.  Lighting by Chloe Z. Brown. Photographs: Yi-Chun Wu]]></description>
			<content:encoded><![CDATA[<em>Plum House (A Cartoon)</em> is a collaboration with dancer/choreographer Vicky Shick, sound designer/composer Elise Kermani, and myself.  The work premiered at Dance Theater Workshop, New York City, 2007, where it was performed by Laurel Dugan, Diane Madden, Juliette Mapp, Perrine Ploneis and Derry Swan.  Lighting by Chloe Z. Brown.

Photographs: Yi-Chun Wu]]></content:encoded>
			<wfw:commentRss>http://barbarakilpatrick.com/work/plum-house-a-cartoon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jocasta</title>
		<link>http://barbarakilpatrick.com/work/jocasta/</link>
		<comments>http://barbarakilpatrick.com/work/jocasta/#comments</comments>
		<pubDate>Thu, 03 Mar 2011 07:10:20 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=88</guid>
		<description><![CDATA[Jocasta is a 52 minute experimental narrative created by Elise Kermani in collaboration with visual artists, musicians, actors, dancers and filmmakers. It was inspired by Brian Swann and Peter Burian&#8217;s English translation of Euripides&#8217; &#8220;The Phoenician Women.&#8221;  Jocasta was digitally filmed on location at the Great Stone Barn at the Shaker Village in New Lebanon, [...]]]></description>
			<content:encoded><![CDATA[<em>Jocasta</em> is a 52 minute experimental narrative created by Elise Kermani in collaboration with visual artists, musicians, actors, dancers and filmmakers. It was inspired by Brian Swann and Peter Burian&#8217;s English translation of Euripides&#8217; &#8220;The Phoenician Women.&#8221;  <em>Jocasta</em> was digitally filmed on location at the Great Stone Barn at the Shaker Village in New Lebanon, New York in the summer of 2006.

Production design and still photography by Barbara Kilpatrick

View online at <a href="http://www.elisekermani.com/jocasta.html">http://www.elisekermani.com/jocasta.html</a>]]></content:encoded>
			<wfw:commentRss>http://barbarakilpatrick.com/work/jocasta/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Venus Hum</title>
		<link>http://barbarakilpatrick.com/work/venus-hum/</link>
		<comments>http://barbarakilpatrick.com/work/venus-hum/#comments</comments>
		<pubDate>Wed, 02 Mar 2011 07:00:36 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=274</guid>
		<description><![CDATA[Venus Hum is an imagined performance shown as an installation of artifacts—sculpture, photographs, and a video DVD—that narrates the creation of a performance costume. Interwoven with the sounds of heartbeats, sewing machines, scissors and traditional strains of the tarantella, the work is accompanied by the sound of its own making. Concept, drawings and photographs by [...]]]></description>
			<content:encoded><![CDATA[Venus Hum is an imagined performance shown as an installation of artifacts—sculpture, photographs, and a video DVD—that narrates the creation of a performance costume. Interwoven with the sounds of heartbeats, sewing machines, scissors and traditional strains of the tarantella, the work is accompanied by the sound of its own making. Concept, drawings and photographs by Barbara Kilpatrick; sound design and editing by Elise Kermani.

<a title="Venus Hum" href="http://player.vimeo.com/video/30984709?title=0&amp;amp;byline=0&amp;amp;portrait=0" rel="shadowbox;height=480;width=640" target="_blank">View the video for Venus Hum</a>]]></content:encoded>
			<wfw:commentRss>http://barbarakilpatrick.com/work/venus-hum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stay; linger</title>
		<link>http://barbarakilpatrick.com/work/stay-linger/</link>
		<comments>http://barbarakilpatrick.com/work/stay-linger/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 07:08:35 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://dev.bmartinstudio.com/bk/?p=267</guid>
		<description><![CDATA[Stay; linger began as a costume for an imaginary performance. The life-sized dress, constructed of steel wire and liquid aluminum, then ramified into photographs, drawings on paper, three-dimensional “drawings” in wire, and finally wire forms encased in linen pulp. Costumes without bodies assume lives of their own. Empty clothes imply the body they once enwrapped, [...]]]></description>
			<content:encoded><![CDATA[Stay; linger began as a costume for an imaginary performance.  The life-sized dress, constructed of steel wire and liquid aluminum, then ramified into photographs, drawings on paper, three-dimensional “drawings” in wire, and finally wire forms encased in linen pulp.

Costumes without bodies assume lives of their own.  Empty clothes imply the body they once enwrapped, and what remains is a relic, a souvenir, a carapace.  The vacated garment is a placekeeper for what once was.]]></content:encoded>
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