About
↓
Photo: Bill Jacobson
Looking backward to look ahead
(What can be used from the past to kindle the spark for what time remains)
Aloneness, feelings of being on the periphery, artist as outsider—acceptance of this
Understanding what is true and what is false to the self
Loosening the need for the opinion of others to determine self-worth
Relationship between the self and object-making
Increased respect for the hand, the hand-made, the slower tempo
Informed by two decades of collaboration in dance performance
Intent, process and display: how an art object resembles a performance
How the integrative pedagogy of Black Mountain College informs my artistic practice
How the performance work draws me closer to my own materials and processes
BMC and the notion of “haptic” in art
Non-hierarchy of the mind and the body
Proprioception—The unconscious mechanism for perceiving one’s body in relation to movement and position.
How interdisciplinary art reorganizes the senses